Day's convincing, conversational tone was perfect for the approach, at least to the extent that she conveyed warmth and understanding of the lyrics. Frank Sinatra had demonstrated the possibilities of the concept album, in which a single mood was sustained throughout an entire LP, and Day and her conductor, Paul Weston, tried out the idea on Day by Day, assembling a group of love songs mostly from the 1930s and '40s (the only exception being "Autumn Leaves") and giving them all intimate, small-band arrangements. Day by Day, an LP without a movie tie-in, was her attempt to change that, and it was largely successful. But Day's non-film recordings were less assured of a commercial reception. ![]() Her soundtrack album of songs from her film Love Me or Leave Me, a biopic about Ruth Etting, had been the longest-running number one hit of 1955 and "Whatever Will Be, Will Be (Que Sera, Sera)," the theme from the Alfred Hitchcock thriller The Man Who Knew Too Much, in which she starred, was a gold-selling Top Five hit in 1956. ![]() ![]() By the winter of 1956-1957, Doris Day had become a respectable, even spectacular record seller, as long as her recordings were tied into her film projects.
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